Get the motion-sensors on in here: it’s Edgar Wright. Free ice cream, the dregs of humanity, and a fistful of fingers. Turn on your joke-delivery machine… it’s time for an all-new SmartLess.

SmartLess

"Edgar Wright"

Key Takeaways

  • Filmmaker Edgar Wright detailed his early passion, starting at age 14 with a Super 8 camera.
  • Wright's career launched with 'A Fistful of Fingers' and the TV series 'Spaced,' leading to 'Shaun of the Dead.'
  • The 'Cornetto trilogy' was an unplanned series, with its signature ice cream linked to free promotional offers.
  • Music significantly inspires Wright's filmmaking, exemplified by 'Baby Driver' originating from a specific song.
  • Wright is adapting Stephen King's 'The Running Man,' set for a November 14th release, offering a unique perspective.
  • He advises filmmakers to create movies they genuinely want to see, stressing sincerity and passion.

Deep Dive

  • Sean Hayes discussed dealing with jet lag after returning to Southern California from a trip.
  • He reported a weight gain of four pounds in one week, attributed to consuming foods like pumpkin cake.
  • Hayes specifically mentioned eating a large slice of pumpkin cake with cream cheese frosting from Trader Joe's.

  • Edgar Wright described his best Halloween costume as David Norton from 'An American Werewolf in London.'
  • One host shared an elaborate 'Jason Bateman' costume, featuring a hockey goalie mask and fishing net.
  • The conversation also covered childhood Halloween costumes, including one host recalling being dressed as a hooker.

  • At 16, Edgar Wright created a clay animation about wheelchair access for Comet Relief, winning a UK film program competition.
  • He won a video camera at 16, which allowed him to make films during school free periods, experimenting with homemade camera rigs.
  • Wright mentioned key 1980s influences including John Carpenter, Joe Dante, and John Landis.

  • Edgar Wright's first low-budget film, 'A Fistful of Fingers,' made at age 20, led to early TV work.
  • He collaborated with Simon Pegg and Jessica Hynes on the Channel 4 sitcom 'Spaced' at age 24.
  • His film 'Shaun of the Dead' was available on UK DVD early, requiring American fans to use region-free players.

  • The 'Cornetto trilogy' ('Shaun of the Dead,' 'Hot Fuzz,' 'The World's End') was never intentionally planned as such.
  • The inclusion of Cornetto ice cream was motivated by free promotional ice cream at film premieres.
  • Wright met frequent collaborator Simon Pegg backstage at a London comedy gig, bonding over their West Country origins.

  • Edgar Wright discussed his experience with tinnitus, explaining that while depicted in 'Baby Driver,' he couldn't use music to cope.
  • 'Baby Driver' originated from the song 'Bell Bottoms' by the Jon Spencer Blues Explosion, with Wright envisioning scenes for 20 years.
  • He noted a decline in music video budgets over the past 25 years, contrasting with higher budgets for commercials.

  • Wright identified British television shows like Monty Python, Fawlty Towers, and 'Are You Being Served?' as foundational comedic influences.
  • 'The Young Ones' was a significant influence, known for its cult status, punk rock attitude, and episodes ending with characters dying.
  • He emphasized the benefits of co-writing comedy for pacing, tone, and joke development, preferring it to solitary writing.

  • Edgar Wright's upcoming film, 'The Running Man,' is a new adaptation of Stephen King's 1982 novel, originally written under the pseudonym Richard Bachman.
  • The adaptation differs significantly from the 1987 Arnold Schwarzenegger film and keeps the audience focused on Glenn Powell's point of view.
  • The cast includes Josh Brolin, Coleman Domingo, Michael Cera, Anya Taylor-Joy, and Julia Cummings, with a release date of November 14th.

  • Edgar Wright shared that the best and worst advice he received was simply to 'be patient' from a studio executive.
  • He advises directors to act as audience members, creating films they personally would want to see.
  • Wright emphasized that a director's passion for a project is palpable and infectious to the audience, fostering a shared sense of accomplishment on set.

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